sex sells! jugz in da club is the big new release by labelboss himself mario ranieri! jumping and pumping, shake those titties and go completely mental on this one! stormtrooper, space dj z & leo laker all love them titties!!

originally released in 2004!! incl mugwump remix!

supported by anja schneider, dave seaman, dubfire. adam beyer, chris liebing, laurent garnier and many more! following his >turboencabulator< release this new 12 by cologne based artist roland m. dill is a funky piece of shit with two bass heavy groovers that create grooves you will fall for. >taurine on sunday< is a jumping jack track, a happy go merry super dooper late night groover that charly parker would love to do improvisations on. we can see this track going strong with house and techno djs. on the flipside >candy mountain< is powered by a funky tight rhythm with accelerating tight beats, more in your face... although it holds deep hypnotic and subtle moments creating a complex cool techno track.

big star arkus p on mario rainieris hard techno imprint. epic breakbeats start the a1 track with a lucious string and uplifting vocals. the beat drops and the crowd is going crazy! follow up on the a side with a dirty grimey hard techno monster with a huge breakdown and noise! the flip starts of with a monster of a kick and filled with all kinds of nasty edits. this is defenitely the hardest track on the ep. second track on the ep is marios own version of hot space. funky beats and a weird vibe that will appeal to the jumping crowd!

round 3 for partyshock who send diz into the ring, supported by dj amon. jumping tag-team style!

ripchord are 2 guys from copenhagen with years of experience with music in its many different forms. in a short period of time ripchord has firmly pushed their way into the danish underground scene. max thelin aka. maximus is the second member of the danish hip-hop producer duo mavix. jesper prehn, old time raver, dj and producer, has a long history in electronic music. their style is dark and original with jazzy swingsets and groovy basslines. thrill cosby is set in a 20 s ballroom jazz club in new orleans. the tempo is high and the people are swinging to the rhythm. the band is jumping and the bourbon is kicking in making the trumpet drowsy. tanzable, is a minimal tune kept in the subsonic layers. it has got a dominating bass line the swirls you into a hypnotic state of mind, encouraging you to move in sexy ways. this remix is conducted by joachim spieth best known for his spiecher series on kompakt.

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

very promising new label from new jersey starting with a sparkling, super deep 4 tracker from dj q & david s. from the dark, stripped down >warrior dance< to the organ chord driving, jumping >night ride< this covers various facets of oldschool inspired deephouse. for fans of omar s, jus ed etc

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

whats the secret of making a dance floor explode? if youd like to learn just open christian burkhardts contemporary box and look whats inside: at a first glance, it seems that it doesnt contain a lot, except for 3 dance tools. but once on the turntable you may discover the whole secret of this release. what seems to be so simple is a complex construct of percussive elements and basslines that are being arranged just in the right way. contemporary box finds it s peak without even having one, just by grooving on and on, monotonously, with jumping sticks and a pushing bassline. maison noir moves a little more to the housier side and is being carried by warm chords as well as by effective percussions. phey boom brings in a certain coolness and carries that great release home

a frog on the beach jumping between the electric strength of detroit sounds and the splendor of cinematic atmospheres, a frog on the beach is 100% pure techno refinement and thus as irresistible on dancefloors as for homelistening. marco passarani invites the listeners to a long and delightful odyssey, gradually traveling from electro sounds harshness to classy house enjoyments.

the deep and powerful track voyager and really gets of on b1 with minimax 1. minimax 2 takes the pace even higher with punchy snare beats and spaced-out effects. every one of these tracks is ideal for the dance-floor and will work well in a party set: just what you need to get the crowd jumping

another impeccable production from the slyde boys, with driving beats, infections vocals, and outstanding remix by man of the moment twocker. the a side is breaks at its best. the bassline weaves its way through the sonic stack as posh seduces with her flirtatious lyrics. an outstanding remix comes courtesy of pete tong faves twocker, whose previous remix skills have run riot on cj bollands sugar is sweeter and morillos we like to move it. their genre crossing slyde remix hits all the house buttons, with a jumping jack intro and intense punchy bass lines which juxtapose perfectly with poshs vocals.

born in the same star sign as joey negros sunshine band project, the super phonics are all about invoking that classic soulful 70s disco sound, but to an updated house blueprint, with a little bit of soul and funkn thrown in for good measure. performed by a stirling group of live musicians, including session players for groove armada, incognito, us3, the james taylor quartet, the brand new heavies and the herbaliser, you know the tunes are gonna be good to go! first up is their cover of the linda williams classic elevate our minds - a timeless soul number that has graced the decks of many a southport weekender as well as being recently sampled on ben westbeechs drum and bass smoocher get closer. the super phonics take it back to the raw, with this soul drenched cover. over on the flip, is the bands own composition have a good time, a jumping and pumping disco groover that should find favour on most open minded dancefloors.

ltd picture disc !! jumping hard techno two tracker by manu kenton

first up is the brash and chaotic game boy, with its quirky, shuffling beat, and thick buzzing bass holding down the backline while the electro-madness of the jumping lead provides a perfect homage to the 8 bit console of the same name, but with a tougher edge, of course !

here we are with the second release telling everybody >its summertime<. this time b mus from the main-area joins the komplex audio family with his absolutley inspiring work to keep our feet dancing in the sand. this komplex audio release brings smooth detroitish soundscapes with woofing beats to the clubs around the world. three tracks full of wicked programming and crowd moving synth stabs hold the tension hight between dancing and jumping into the pool

nice price deal !!! jumping & pumping hardstyle 3 tracker !

baobinga makes his mantra breaks debut with shake it. its a rolling bass monster that will literally leave you quaking in your boots! there is also a heavy techno influence with uplifting stabs and plenty of electronic weirdness. label buddy madox has been a busy putting the final touches to his debut album but luckily for us he has still found time to provide a stomping rendition. the growling bassline relentlessly drives this badboy, which will keep the dancefloor jumping for joy

slamming hip houser with cool female vocals this will make hips shakin and the crowd jumping flip over for the electro infected mattias dj remix

crazy oldschool style house by timmy regisford. b side features the famous mutabaruka poem laced over a jumping fela kuti style beat

with big rui da silva rmx !! phil stumpf is back on triple-o after his storming release earlier last year. this time we are treated with a contemplative but bouncy motor-city serenade. warm pads, a lively, jumping rhythm and that beautiful melody makes you want to play this >cut< more than once. …. on the remix-tip we are proud to present rui da silva, yet another producing legend that has been around since the early days with big releases as underground sound of lisbon on danny tenaglia s notorious label tribal amongst others...

no need to introduce mazi & david duriez one more time, even those new in the house music business should have heard of them, the real chicago – paris connection. they have developed their own labels at the same time, gourmet & brique rouge, they built their carreers at the same time but this is only the second time, and surely not the last, that they go together in the studio. first time they produced the seminal everything is allright, one of the highlights from the audio soul projects album community this time they produced one of their futur classic, while david duriez was in chicago on the way to his detroit electronic music festival gig. produced in just one afternoon, the track is already acclaimed and hammered by all the big onesjosh wink plays it everywhere. mr.c has also been reported jumping in the booth to ask david what this track was.

formerly known as cosmosis on and part of the neon phusion and herbaliser bands this is the first release under the new name of grudge monkey for mark forces schtum stable grudge monkey hustle is a breaky percussion brew with a henry mancini style wind and horn section that hints at their former session work bossman mark force tackles the track two footed jumping in to maximise the bruk breaks

the a-side presents >shick<, a dark minimal pusher. permanent sticks hold the tempo, while a dark but dirty melody slowly rises up and starts to lead the track. after a short break, >shick< evloves its whole sable grandeur. take your time to enjoy this one.. on the b-side, you find another strong bit. >shock< is less dark but more funky. shuffling hihats, a jumping bassline and some short chords qualify shock s heavy demand on the dancefloor. a thin open hihat makes grooves on and on and a short ear candy melody wont leave your head for hours. do we need anything else? dont think so

300s release on rise with a big housetrack based on lisa stansfields hit that will get floors shaking and jumping in no time

a detroit esq tech house monster sure to set the dance floors alight especially when the bass line kicks in. deep chords and fx all the way plays from all the usual suspects?

world music

2021 scooter 2 fach cd

3cd digipak

infotext hamburg citys adana twins have made short work between their time joining the watergate camp to jumping into the spotlight helming the latest watergate mix compilation. the duo step up to deliver a thrilling and complex trek into the dramatic, emotionally-charged fields with their distinct brand of techno making it abundantly clear the two have a voice that needs to be heard. over the course of sixteen tracks adana twins weave a vivid musical tale having acquired an assortment of exclusive unreleased material from their crew of likeminded and extremely talented friends like acid pauli, sbth, upercent, lehar, daniel bortz & sascha sibler, aaaron, andrŽ hommen, and musumeci among others. besides their friends, adana twins contribute three originals to the mix including an absolute monster remix of patrice bŠumels decade old track Ôroar which has already received huge praise and tons of plays from heavyweights like tale of us and solomun receiving massive reactions every time its played. not only is the mix a stellar display of the duos mixing and storytelling prowess, but all tracks from the mix, minus adana twins Ôpavan which will see its release on their own imprint tau, are exclusive to watergate and will be released as separate eps following the mix release.

for over a decade, defected miami mix albums have brought together the best new underground house music, championing upcoming talent and highlighting material from established artists. defected miami 2018 continues the tradition of forecasting the records that will soundtrack the miami winter music conference and go on to remain playlist fixtures for tastemaker djs throughout the summer. diving right in with the sunshine-ready beats, riton & kah-lo fake i.d., the collaborators follow-up to their grammy nominated rinse & repeat, sets the tone for the opening quarter, maintaining the high energy through to first lady sam divines joint effort with cassimm, what god has chosen. it wouldnt be a miami album without some soaring vocals, delivered by kandace springs on the latest kings of tomorrow anthem ÔfadedÕ (sandy rivera classic mix) and by the gospel-powered dames brown on sophie lloyds calling out. more direct club-focussed highlights include rapson featuring nathan thomas heat (scott diaz remix) and claptone featuring ben duffy in the night, taken from the berlin hit makers forthcoming album fantast. mella dees future hit techno disco tool provides jumping tech with a cheeky disco nod while the glorious new york-styled the people by eli escobar off his acclaimed album shout ensures that the album takes a trip through the full house spectrum. spread across two expertly constructed mixes, defected miami 2018 is an essential collection that brings the florida vibes to wherever you may be.

dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesnt disappoint. the mix comes as a double cd and triple vinyl release and features four exclusive tracks. these include a brand new original from dj tennis featuring fink and called certain angels, plus new tennis versions of tunes by pole and frank brettschneider, and finally an unreleased track, paratrooper, from acclaimed tel aviv duo red axes. in programming these two diverse, eclectic and yet coherent rides, dj tennis shows off his singular knack for nailing an aesthetic that is subversive yet seductive in equal measure.

plugged-in pop, concrete prog & global robotic rock.16 highly charged currents of latter day electro-magnetic poly-pop, robotic rock & modern day mechanical music. featuring unreleased electronic music for atari video games, swiss construction companies and low budget eastern film productions alongside unknown and undercover synth driven rarities by members of can, hawkwind, niagara, soft machine, dynastie crisis, gong & nucleus.compiled from a well travelled dj bag of inhumane second-class sound by saxonic wax magnet andy votel ( finders keepers ) including full length tracks from his acclaimed vintage voltage mix tape.

the new teenage bad girl album is full of energy and obvious hits such as keep up with you (stardust from the 80 s), the rock-orientated black hole, the electro-break of fight night or the dance-house tonton funk. but there are also the synthetic and melancholic eponymous slow backwash, a minimal discoid ballad like heart zero beating (tangerine dream 2.0) or even the hedonistic and poppy hip-hop tune x-girl, the bandÕs next single.

overview in the 1980s, as hip hop caught fire around new york, sparky d was coming up in the van dyke projects in brownsville brooklyn. she would go on to be one of the first recorded solo female rappers and rise to hip hop stardom. early in her career she was a pivotal player in what came to be known as the roxanne wars. it all kicked off with utfo s roxanne roxxane followed by roxanne shante s debut roxanne s revenge and then a salvo back at shante with utfo and a female mc known as the real roxanne. sparky d then started a trend that ran for what some say was over a hundred assorted answer records and nearly the rest of the decade by jumping into the roxanne trend with sparky s turn (roxanne, you re through). massive spins and sales throughout the city followed. the success of the cut lead to another handful of 12 releases, and this release, her proper full length debut this is sparky ds world,- produced by her boyfriend and old school legend spyder d. though the record didn t take off to the extent that her label mates boogie down productions found with criminal minded....well, what ever did take off like criminal minded. to this day the release serves as a testament to the power of one of hip hop s first female mcs, after all, this is sparky d s world. traffic entertainment group in partnership with b-boy records is proud to release this extended version of the album, out of print in any format for over 14 years. housed in a handsome 6 panel digipak featuring extended artwork and audio including all the 12-cuts, mixes and instrumentals from sparkys classic -throwdown- and -i can t stop- vinyl singles.

first there was life is water for gerbadaisies when they are dancing, then there was a soft kiss by a rose, now we have shhh, dandelions at play - the latest album by boof. shhh, dandelions at play is available on cd and as download via bubbletease communications on itunes and juno download. accompanied by the 12inch-single joi is smiling/now shes jumping. produced by maurice fulton.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

the new cloud9 compilation